payloads.json 35 KB

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  1. [
  2. {
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  6. "title": "真正能爆的选题,往往是你写完后感觉羞耻的",
  7. "author": "方圆的增长飞轮",
  8. "source_metadata": {
  9. "platform": "xiaohongshu",
  10. "url": "https://www.xiaohongshu.com/explore/699308fa0000000016009697"
  11. }
  12. },
  13. "title": "爆款选题的羞耻感与冒犯感原理",
  14. "content": "主张:好选题的防伪标签是羞耻感与冒犯感,本质是触碰被社交礼仪包壳的公共痛点并撕裂共有信念。\n【情绪审核标准】(判据)\n 判断一个选题是否能爆,除了看大脑审核的信息密度,更要看情绪审核。发出前毫无波澜的选题多是正确但无感的;写完后有不好意思或担心的犹豫感,才是触碰到了真实痛点。\n【冒犯感与传播力的关系】(机制)\n 爆款选题通过冒犯某种“正确共识”踩到大众神经。太安全的选题因没有风险,也意味着没有转发动力。爆款是在撕裂一个信念,而非加固它。\n【对创作的取舍】(取舍)\n 应舍弃那些专业、正确但四平八稳的陈词滥调(即便它们逻辑无懈可击);应多写那些平时大家不敢说出口、有争议、甚至让创作者感到些许羞耻的真实洞察。",
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  25. },
  26. {
  27. "scope_type": "feeling",
  28. "value": "羞耻感"
  29. },
  30. {
  31. "scope_type": "feeling",
  32. "value": "冒犯感"
  33. },
  34. {
  35. "scope_type": "effect",
  36. "value": "冲突感"
  37. },
  38. {
  39. "scope_type": "intent",
  40. "value": "传播力"
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  52. "value": "选题"
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  59. "source_type": "post",
  60. "title": "真正能爆的选题,往往是你写完后感觉羞耻的",
  61. "author": "方圆的增长飞轮",
  62. "source_metadata": {
  63. "platform": "xiaohongshu",
  64. "url": "https://www.xiaohongshu.com/explore/699308fa0000000016009697"
  65. }
  66. },
  67. "title": "赛道圣经句(伪共识清单)",
  68. "content": "界定:指每个赛道里人人点头、看起来政治正确,但大家心里并不完全信任或在实践中常失效的话。(选项型)\n【常见圣经句示例】(清单)\n - 内容为王:在分发逻辑下,极好的内容可能因为不懂分发而沦为自嗨。(选用:当观众对这类口号产生审美疲劳或质疑时。)\n - 自律即自由:人人皆知但极难做到,且并非所有人通过自律都能获得预期的自由。(选用:用于挖掘人们执行正确建议时的挫败感时。)\n - 能力强一定会被看见:忽略了职场、社会环境的随机性与权力结构。(选用:用于安抚或共情那些努力却未果的群体时。)",
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  78. "value": "伪共识"
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  82. "value": "清单"
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  86. "value": "共情"
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  98. "value": "撕裂共识的选题构思法 第1步"
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  101. },
  102. {
  103. "source": {
  104. "id": "xhs_699308fa0000000016009697",
  105. "source_type": "post",
  106. "title": "真正能爆的选题,往往是你写完后感觉羞耻的",
  107. "author": "方圆的增长飞轮",
  108. "source_metadata": {
  109. "platform": "xiaohongshu",
  110. "url": "https://www.xiaohongshu.com/explore/699308fa0000000016009697"
  111. }
  112. },
  113. "title": "撕裂共识的选题构思法",
  114. "content": "目标:通过撕开正确共识的裂缝,定位具有情绪共鸣能力的爆款选题\n步骤1\n 输入:该赛道的共有认知或专业建议\n 方法:列出赛道大号反复讲的、人人点头但不一定真信的「圣经句」(见 k2)。\n 产出:待拆解的赛道圣经句清单\n步骤2\n 输入:← s1待拆解清单\n 方法:反问:什么情况下,一个人严格按这句话做反而越做越差?寻找正确共识失灵的瞬间。例:『内容极好但不懂分发,好内容成了自嗨。』\n 产出:共识失效场景(选题裂缝)\n步骤3\n 输入:竞品爆款内容\n 方法:在竞品评论区寻找用户留下的「道理我都懂,但是……」的转折。这些「但是」就是天然的共识裂缝。\n 产出:用户真实吐槽点(验证过的裂缝)\n步骤4\n 输入:← s2或s3产出的裂缝建议\n 方法:将裂缝作为切口,把真相撕开,写出那个引发羞耻感和真实痛点的核心立论。例:『你穷不是因为不努力,是因为太听话了。』\n 产出:具有冒犯感与爆款潜力的选题立论",
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  124. "value": "圣经句"
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  127. "scope_type": "effect",
  128. "value": "选题切入"
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  130. {
  131. "scope_type": "effect",
  132. "value": "认知裂缝"
  133. },
  134. {
  135. "scope_type": "feeling",
  136. "value": "挫败感"
  137. },
  138. {
  139. "scope_type": "substance",
  140. "value": "用户吐槽"
  141. },
  142. {
  143. "scope_type": "effect",
  144. "value": "逻辑"
  145. },
  146. {
  147. "scope_type": "substance",
  148. "value": "核心立论"
  149. },
  150. {
  151. "scope_type": "effect",
  152. "value": "痛点"
  153. },
  154. {
  155. "scope_type": "intent",
  156. "value": "爆款潜力"
  157. }
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  162. "type": "str",
  163. "value": "选题"
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  166. "key": "创作阶段",
  167. "type": "str",
  168. "value": "构思"
  169. },
  170. {
  171. "key": "创作阶段",
  172. "type": "str",
  173. "value": "定向"
  174. },
  175. {
  176. "key": "创作阶段",
  177. "type": "str",
  178. "value": "成文"
  179. },
  180. {
  181. "key": "动作",
  182. "type": "str",
  183. "value": "清单列举"
  184. },
  185. {
  186. "key": "动作",
  187. "type": "str",
  188. "value": "反常规推导"
  189. },
  190. {
  191. "key": "动作",
  192. "type": "str",
  193. "value": "需求洞察"
  194. },
  195. {
  196. "key": "动作",
  197. "type": "str",
  198. "value": "观点提炼"
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  202. {
  203. "source": {
  204. "id": "xhs_698481e1000000000a02a7c1",
  205. "source_type": "post",
  206. "title": "7种编剧常用的叙事结构,写剧不用愁!",
  207. "author": "Irvin是个编剧(接稿版)",
  208. "source_metadata": {
  209. "platform": "xiaohongshu",
  210. "url": "https://www.xiaohongshu.com/explore/698481e1000000000a02a7c1"
  211. }
  212. },
  213. "title": "7种编剧常用叙事结构清单",
  214. "content": "界定:编剧创作中用于组织情节、逻辑与时间线的7种核心框架,决定了故事的呈现方式。(选项型)\n【叙事结构选项】(清单)\n - 三幕式结构:最基础的线性逻辑。第一幕(开端)交代背景、人设及触发核心冲突;第二幕(发展)核心冲突升级,主角遭遇阻碍,是人物成长和情节铺垫关键期;第三幕(高潮与结局)矛盾爆发并解决,给冲突收尾。(选用:适配剧情片、商业片。)\n - 英雄之旅结构:核心是“平凡人到英雄的蜕变”,通过【启程(离开舒适区)→考验(遇挑战/识盟友/抗反派)→归来(获成长/收获)】完成创作。(选用:适配成长、冒险、励志题材。)\n - 非线性结构:打破时间先后,通过闪回、插叙、倒叙、多视角切换呈现。目的是制造悬念、增强张力。(选用:适配悬疑、犯罪题材。)\n - 环形结构:核心是结尾与开端呼应形成闭环。包含非循环类(场景/台词呼应产生宿命感)与带循环类(重复经历某段事件直至达成目标)。(选用:适配悬疑、科幻、温情题材。)\n - 多线叙事结构:多条独立故事线并行,在节点交汇。通过视角切换丰富维度、提升密度,极其考验线索把控能力。(选用:适配群像戏、喜剧、犯罪题材。)\n - 嵌套式结构:也叫套层结构。核心是一层故事包裹另一层(如戏中戏、梦中梦)。内外层互为引子、呼应或推动发展。(选用:适配科幻、悬疑、文艺题材。)\n - 反结构:也叫无结构/碎片化结构。打破传统框架,不追求完整性,情节多为碎片化拼接。没有明确核心冲突、主角成长或完整结局。(选用:适配文艺片、实验性影片,注重氛围营造、情绪表达和人性探讨时使用。)",
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  216. "创作"
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  224. "value": "叙事框架"
  225. },
  226. {
  227. "scope_type": "form",
  228. "value": "结构清单"
  229. },
  230. {
  231. "scope_type": "effect",
  232. "value": "情节组织"
  233. },
  234. {
  235. "scope_type": "effect",
  236. "value": "节奏控制"
  237. },
  238. {
  239. "scope_type": "intent",
  240. "value": "叙事逻辑"
  241. }
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  243. "custom_ext": [
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  245. "key": "业务阶段",
  246. "type": "str",
  247. "value": "脚本"
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  251. {
  252. "source": {
  253. "id": "xhs_67e2e39b0000000003028ff0",
  254. "source_type": "post",
  255. "title": "剧本创作:理解前提、人物、冲突",
  256. "author": "拾意",
  257. "source_metadata": {
  258. "platform": "xiaohongshu",
  259. "url": "https://www.xiaohongshu.com/explore/67e2e39b0000000003028ff0"
  260. }
  261. },
  262. "title": "基于前提与人物的核心故事构建法",
  263. "content": "目标:将灵感转化为包含危机、高潮与结局的故事大纲\n步骤1\n 输入:创作灵感或初步想法\n 方法:选择故事切入点。必须是决定点或人物准备做出决定的点,通常源于人物绝望地渴求某物。\n 产出:故事切入点\n步骤2\n 输入:← s1产出\n 方法:设定前提(Premise)。根据作者立场、人物、冲突和结论拟定公式化的目标。例:『作者立场+人物+冲突+结论』。前提应由驱动性情感决定并赋予主要人物特征。\n 产出:故事前提\n步骤3\n 输入:← s2产出\n 方法:构建主使人物与对立人物。主使人物由强烈内外需驱动(如荣誉、复仇),对立人物需与主角实力相当、意志坚定以阻止其前进。\n 产出:核心人物对峙关系\n步骤4\n 输入:← s3产出\n 方法:通过过渡(小冲突)推动演进。利用“攻击与反击”引导人物从一种精神状态进入另一种。自问:我应该做什么?别人会做什么?什么应该被完成?\n 产出:升级的动态冲突\n步骤5\n 输入:← s4产出\n 方法:收口至危机与高潮。当冲突升级到决定性改变的转折点(危机)时,进入产生成果的高潮阶段,最终推导至结局(死或活的结果)。\n 产出:完整故事轴线",
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  273. "value": "故事切入点"
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  275. {
  276. "scope_type": "effect",
  277. "value": "勾连动机"
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  279. {
  280. "scope_type": "intent",
  281. "value": "观众注意力"
  282. },
  283. {
  284. "scope_type": "substance",
  285. "value": "故事前提"
  286. },
  287. {
  288. "scope_type": "form",
  289. "value": "创作公式"
  290. },
  291. {
  292. "scope_type": "effect",
  293. "value": "叙事逻辑"
  294. },
  295. {
  296. "scope_type": "substance",
  297. "value": "人物塑造"
  298. },
  299. {
  300. "scope_type": "effect",
  301. "value": "力量制衡"
  302. },
  303. {
  304. "scope_type": "substance",
  305. "value": "动态冲突"
  306. },
  307. {
  308. "scope_type": "effect",
  309. "value": "推进节奏"
  310. },
  311. {
  312. "scope_type": "substance",
  313. "value": "冲突升级"
  314. },
  315. {
  316. "scope_type": "effect",
  317. "value": "高潮营造"
  318. },
  319. {
  320. "scope_type": "feeling",
  321. "value": "宿命感"
  322. }
  323. ],
  324. "custom_ext": [
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  326. "key": "业务阶段",
  327. "type": "str",
  328. "value": "脚本"
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  330. {
  331. "key": "创作阶段",
  332. "type": "str",
  333. "value": "构思"
  334. },
  335. {
  336. "key": "创作阶段",
  337. "type": "str",
  338. "value": "定向"
  339. },
  340. {
  341. "key": "创作阶段",
  342. "type": "str",
  343. "value": "结构"
  344. },
  345. {
  346. "key": "创作阶段",
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  348. "value": "打磨"
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  350. {
  351. "key": "动作",
  352. "type": "str",
  353. "value": "确定切入点"
  354. },
  355. {
  356. "key": "动作",
  357. "type": "str",
  358. "value": "拟定前提"
  359. },
  360. {
  361. "key": "动作",
  362. "type": "str",
  363. "value": "角色立项"
  364. },
  365. {
  366. "key": "动作",
  367. "type": "str",
  368. "value": "设计冲突链"
  369. },
  370. {
  371. "key": "动作",
  372. "type": "str",
  373. "value": "收束结局"
  374. }
  375. ]
  376. },
  377. {
  378. "source": {
  379. "id": "xhs_67e2e39b0000000003028ff0",
  380. "source_type": "post",
  381. "title": "剧本创作:理解前提、人物、冲突",
  382. "author": "拾意",
  383. "source_metadata": {
  384. "platform": "xiaohongshu",
  385. "url": "https://www.xiaohongshu.com/explore/67e2e39b0000000003028ff0"
  386. }
  387. },
  388. "title": "人物构成的三维度模型",
  389. "content": "界定:人物是生理特征和环境在特定时刻影响的总和,由三个维度融为一体。(构成型)\n【人物三维度构成】(清单)\n - 生理维度:包括性别、年龄、外表等基础特征。\n - 社会维度:包括阶层、职业、受教育程度、家庭背景等环境影响。\n - 心理维度:包括道德标准、性格特质、志趣等内在表现。",
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  391. "创作"
  392. ],
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  394. "what构成"
  395. ],
  396. "scopes": [
  397. {
  398. "scope_type": "substance",
  399. "value": "人物维度"
  400. },
  401. {
  402. "scope_type": "form",
  403. "value": "三维度模型"
  404. },
  405. {
  406. "scope_type": "effect",
  407. "value": "角色真实感"
  408. }
  409. ],
  410. "custom_ext": [
  411. {
  412. "key": "业务阶段",
  413. "type": "str",
  414. "value": "脚本"
  415. },
  416. {
  417. "key": "出自",
  418. "type": "str",
  419. "value": "基于前提与人物的核心故事构建法 第3步"
  420. }
  421. ]
  422. },
  423. {
  424. "source": {
  425. "id": "xhs_67e2e39b0000000003028ff0",
  426. "source_type": "post",
  427. "title": "剧本创作:理解前提、人物、冲突",
  428. "author": "拾意",
  429. "source_metadata": {
  430. "platform": "xiaohongshu",
  431. "url": "https://www.xiaohongshu.com/explore/67e2e39b0000000003028ff0"
  432. }
  433. },
  434. "title": "戏剧冲突的四种表现类型",
  435. "content": "界定:冲突是由环境、社会状况及人物意志共同构成的对抗形式。(选项型)\n【冲突类型清单】(说明)\n - 静态冲突:人物没有可见的发展。(选用:常用于展示停滞不前的困境,但需警惕叙事乏味。)\n - 跳跃冲突:强迫人物做出与其性格或逻辑不相符的行动。(选用:原帖未明确建议,通常提示逻辑断裂的风险。)\n - 缓慢升级冲突:编剧不干预,由人物性格驱动自然产生。(选用:追求真实感和自然演进的叙事时优先选择。)\n - 预示冲突:产生张力,坚定的对手互不妥协。(选用:用于营造危机感和长期的戏剧张力。)",
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  437. "创作"
  438. ],
  439. "dim_attributes": [
  440. "what构成"
  441. ],
  442. "scopes": [
  443. {
  444. "scope_type": "substance",
  445. "value": "冲突形式"
  446. },
  447. {
  448. "scope_type": "effect",
  449. "value": "戏剧张力"
  450. },
  451. {
  452. "scope_type": "feeling",
  453. "value": "危机感"
  454. }
  455. ],
  456. "custom_ext": [
  457. {
  458. "key": "业务阶段",
  459. "type": "str",
  460. "value": "脚本"
  461. },
  462. {
  463. "key": "出自",
  464. "type": "str",
  465. "value": "基于前提与人物的核心故事构建法 第4步"
  466. }
  467. ]
  468. },
  469. {
  470. "source": {
  471. "id": "xhs_67e2e39b0000000003028ff0",
  472. "source_type": "post",
  473. "title": "剧本创作:理解前提、人物、冲突",
  474. "author": "拾意",
  475. "source_metadata": {
  476. "platform": "xiaohongshu",
  477. "url": "https://www.xiaohongshu.com/explore/67e2e39b0000000003028ff0"
  478. }
  479. },
  480. "title": "关于“强意志人物”的创作原理",
  481. "content": "主张:剧作家必须赋予人物足够的毅力和能力将斗争进行到底,薄弱的人物无法承担冲突重担。\n【形成机制】(机制)\n 人物的发展源于在冲撞中做出决定,这些决定互为因果推动剧情。如果没有强烈的内在驱动,冲突将无法持续升级。\n【创作取舍】(取舍)\n 在选择主角和对立人物时,应舍弃性格软弱、无行动力的人物,侧重于刻画拥有强烈需求且意志坚定的角色,以保证冲突能达到高潮。",
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  483. "创作"
  484. ],
  485. "dim_attributes": [
  486. "why原理"
  487. ],
  488. "scopes": [
  489. {
  490. "scope_type": "substance",
  491. "value": "人物意志"
  492. },
  493. {
  494. "scope_type": "effect",
  495. "value": "冲突持续性"
  496. },
  497. {
  498. "scope_type": "intent",
  499. "value": "流水账"
  500. }
  501. ],
  502. "custom_ext": [
  503. {
  504. "key": "业务阶段",
  505. "type": "str",
  506. "value": "脚本"
  507. }
  508. ]
  509. },
  510. {
  511. "source": {
  512. "id": "xhs_680659e8000000001a007a11",
  513. "source_type": "post",
  514. "title": "故事设计原理拆解学习",
  515. "author": "拾意",
  516. "source_metadata": {
  517. "platform": "xiaohongshu",
  518. "url": "https://www.xiaohongshu.com/explore/680659e8000000001a007a11"
  519. }
  520. },
  521. "title": "场景分析五步程序",
  522. "content": "目标:通过五个步骤分析并拆解一个场景的动态结构\n步骤1\n 输入:原始场景素材\n 方法:确定场景中的冲突,分析主人公的驱动力与遭遇的对抗力量。\n 产出:场景冲突关系\n步骤2\n 输入:← s1产出\n 方法:标注场景开篇时的价值状态(正向或负向)。\n 产出:初始价值状态\n步骤3\n 输入:← s2产出\n 方法:将场景分解为更小的“节拍”,即具体的动作与反应的交流循环。\n 产出:场景节拍序列\n步骤4\n 输入:← s3产出\n 方法:标注场景结尾的价值状态,并与开篇价值进行比较以观察变化。\n 产出:结尾价值状态\n步骤5\n 输入:← s4产出\n 方法:概述所有节拍,并明确标注出转折点发生的位置。\n 产出:场景分析报告",
  523. "dim_creations": [
  524. "创作"
  525. ],
  526. "dim_attributes": [
  527. "how工序"
  528. ],
  529. "scopes": [
  530. {
  531. "scope_type": "substance",
  532. "value": "场景冲突"
  533. },
  534. {
  535. "scope_type": "effect",
  536. "value": "动力分析"
  537. },
  538. {
  539. "scope_type": "substance",
  540. "value": "价值状态"
  541. },
  542. {
  543. "scope_type": "effect",
  544. "value": "开篇标定"
  545. },
  546. {
  547. "scope_type": "form",
  548. "value": "场景节拍"
  549. },
  550. {
  551. "scope_type": "effect",
  552. "value": "动作反应拆解"
  553. },
  554. {
  555. "scope_type": "substance",
  556. "value": "价值变化"
  557. },
  558. {
  559. "scope_type": "effect",
  560. "value": "结尾评估"
  561. },
  562. {
  563. "scope_type": "form",
  564. "value": "分析报告"
  565. },
  566. {
  567. "scope_type": "effect",
  568. "value": "转折点"
  569. }
  570. ],
  571. "custom_ext": [
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  573. "key": "业务阶段",
  574. "type": "str",
  575. "value": "脚本"
  576. },
  577. {
  578. "key": "创作阶段",
  579. "type": "str",
  580. "value": "构思"
  581. },
  582. {
  583. "key": "创作阶段",
  584. "type": "str",
  585. "value": "结构"
  586. },
  587. {
  588. "key": "创作阶段",
  589. "type": "str",
  590. "value": "打磨"
  591. },
  592. {
  593. "key": "动作",
  594. "type": "str",
  595. "value": "冲突分析"
  596. },
  597. {
  598. "key": "动作",
  599. "type": "str",
  600. "value": "价值标注"
  601. },
  602. {
  603. "key": "动作",
  604. "type": "str",
  605. "value": "节拍分解"
  606. },
  607. {
  608. "key": "动作",
  609. "type": "str",
  610. "value": "价值评估"
  611. },
  612. {
  613. "key": "动作",
  614. "type": "str",
  615. "value": "总结定位"
  616. }
  617. ]
  618. },
  619. {
  620. "source": {
  621. "id": "xhs_680659e8000000001a007a11",
  622. "source_type": "post",
  623. "title": "故事设计原理拆解学习",
  624. "author": "拾意",
  625. "source_metadata": {
  626. "platform": "xiaohongshu",
  627. "url": "https://www.xiaohongshu.com/explore/680659e8000000001a007a11"
  628. }
  629. },
  630. "title": "故事五部分构成",
  631. "content": "界定:故事叙事弧线的五个核心组成阶段(构成型)\n【五部分明细】\n - 激励事件:打破生活平衡,通过好奇心捕捉观众的“大钩子”,分为随机或有因两种。\n - 进展纠葛:上升动作,包含内心、个人、外界不同层面的冲突。\n - 危机:情节突转,是最终决定前的考验,必须是真正的两难之境。\n - 高潮:问题解决,展现价值的剧变或正负逆转。\n - 结局:下降动作,余波处理,展示影响并交代未竟情节。",
  632. "dim_creations": [
  633. "创作"
  634. ],
  635. "dim_attributes": [
  636. "what构成"
  637. ],
  638. "scopes": [
  639. {
  640. "scope_type": "form",
  641. "value": "叙事弧线"
  642. },
  643. {
  644. "scope_type": "effect",
  645. "value": "情节组织"
  646. },
  647. {
  648. "scope_type": "intent",
  649. "value": "悬念"
  650. }
  651. ],
  652. "custom_ext": [
  653. {
  654. "key": "业务阶段",
  655. "type": "str",
  656. "value": "脚本"
  657. }
  658. ]
  659. },
  660. {
  661. "source": {
  662. "id": "xhs_680659e8000000001a007a11",
  663. "source_type": "post",
  664. "title": "故事设计原理拆解学习",
  665. "author": "拾意",
  666. "source_metadata": {
  667. "platform": "xiaohongshu",
  668. "url": "https://www.xiaohongshu.com/explore/680659e8000000001a007a11"
  669. }
  670. },
  671. "title": "场景设计四要素",
  672. "content": "界定:场景分析与构建中需要关注的核心维度(构成型)\n【设计要素】\n - 转折点:带给观众惊奇、增强好奇心、产生见识和提供新方向的时刻。\n - 伏笔:知识的层层铺设。\n - 分晓:将铺设的知识传达给观众的时刻。\n - 价值转变:核心情感(快感/痛感)在正负间的动态交替。",
  673. "dim_creations": [
  674. "创作"
  675. ],
  676. "dim_attributes": [
  677. "what构成"
  678. ],
  679. "scopes": [
  680. {
  681. "scope_type": "substance",
  682. "value": "场景设计"
  683. },
  684. {
  685. "scope_type": "form",
  686. "value": "伏笔铺垫"
  687. },
  688. {
  689. "scope_type": "feeling",
  690. "value": "惊奇感"
  691. },
  692. {
  693. "scope_type": "effect",
  694. "value": "价值转变"
  695. }
  696. ],
  697. "custom_ext": [
  698. {
  699. "key": "业务阶段",
  700. "type": "str",
  701. "value": "脚本"
  702. }
  703. ]
  704. },
  705. {
  706. "source": {
  707. "id": "xhs_680659e8000000001a007a11",
  708. "source_type": "post",
  709. "title": "故事设计原理拆解学习",
  710. "author": "拾意",
  711. "source_metadata": {
  712. "platform": "xiaohongshu",
  713. "url": "https://www.xiaohongshu.com/explore/680659e8000000001a007a11"
  714. }
  715. },
  716. "title": "选择的性质原理",
  717. "content": "主张:真正的故事驱动力来自于“两难之择”,而非是非之选。\n【原理依据】(机制)\n 真正的选择必须是不可调和的两善取其一,或两恶取其轻。只有在两难之境下,主人公的意志才能得到最严峻考验,表现出深层性格。\n【决策取舍】(取舍)\n 在设计剧冲突时,应当砍掉简单的道德对抗,侧重于为角色设置两难困境。如果角色能在对错之间轻松选择,则故事缺乏动感。",
  718. "dim_creations": [
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  720. ],
  721. "dim_attributes": [
  722. "why原理"
  723. ],
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  725. {
  726. "scope_type": "substance",
  727. "value": "两难困境"
  728. },
  729. {
  730. "scope_type": "effect",
  731. "value": "人物刻画"
  732. },
  733. {
  734. "scope_type": "intent",
  735. "value": "故事动感"
  736. }
  737. ],
  738. "custom_ext": [
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  740. "key": "业务阶段",
  741. "type": "str",
  742. "value": "脚本"
  743. }
  744. ]
  745. },
  746. {
  747. "source": {
  748. "id": "xhs_680659e8000000001a007a11",
  749. "source_type": "post",
  750. "title": "故事设计原理拆解学习",
  751. "author": "拾意",
  752. "source_metadata": {
  753. "platform": "xiaohongshu",
  754. "url": "https://www.xiaohongshu.com/explore/680659e8000000001a007a11"
  755. }
  756. },
  757. "title": "情感交替原理",
  758. "content": "主张:故事的情感必须在正负价值间动态交替,以产生动感。\n【回报递减定理】(依据)\n 如果情感长期停留在一个状态,刺激会失效。情感需要通过正负的逆转来维持观众的体验。\n【创作取舍】(取舍)\n 创作中要避免单一基调的堆砌。必须通过设置价值的正负交替(如先给甜头再给打击)来维持故事的节奏感和张力。",
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  760. "创作"
  761. ],
  762. "dim_attributes": [
  763. "why原理"
  764. ],
  765. "scopes": [
  766. {
  767. "scope_type": "substance",
  768. "value": "情感交替"
  769. },
  770. {
  771. "scope_type": "effect",
  772. "value": "节奏控制"
  773. },
  774. {
  775. "scope_type": "feeling",
  776. "value": "动态情绪体验"
  777. }
  778. ],
  779. "custom_ext": [
  780. {
  781. "key": "业务阶段",
  782. "type": "str",
  783. "value": "脚本"
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  785. ]
  786. },
  787. {
  788. "source": {
  789. "id": "xhs_67e4bdf50000000006028a59",
  790. "source_type": "post",
  791. "title": "只要学会这几样,写短视频脚本真的不难❗️",
  792. "author": "海狸教自媒体运营",
  793. "source_metadata": {
  794. "platform": "xiaohongshu",
  795. "url": "https://www.xiaohongshu.com/explore/67e4bdf50000000006028a59"
  796. }
  797. },
  798. "title": "短视频脚本创作三步走工序",
  799. "content": "目标:从零开始完成一份细节完善的视频脚本\n步骤1\n 输入:创作想法/主题\n 方法:确定选题:明确视频的核心主题。例:『针对具体的痛点或兴趣点定调』\n 产出:核心主题\n步骤2\n 输入:← s1产出\n 方法:搭建框架:围绕主题确定人物、场景、事件三个核心要素。\n 产出:脚本框架结构\n步骤3\n 输入:← s2产出\n 方法:细节完善:将框架填充为具体的镜号、拍摄内容、技巧、字幕、音效及时长控制。注:长视频开头10~15秒快展重点,短视频3~5秒呈现主题。\n 产出:细节完善的执行脚本",
  800. "dim_creations": [
  801. "创作"
  802. ],
  803. "dim_attributes": [
  804. "how工序"
  805. ],
  806. "scopes": [
  807. {
  808. "scope_type": "substance",
  809. "value": "选题方向"
  810. },
  811. {
  812. "scope_type": "effect",
  813. "value": "创作基调"
  814. },
  815. {
  816. "scope_type": "intent",
  817. "value": "痛点"
  818. },
  819. {
  820. "scope_type": "form",
  821. "value": "脚本大纲"
  822. },
  823. {
  824. "scope_type": "effect",
  825. "value": "叙事逻辑"
  826. },
  827. {
  828. "scope_type": "form",
  829. "value": "分镜头脚本"
  830. },
  831. {
  832. "scope_type": "effect",
  833. "value": "节奏控制"
  834. },
  835. {
  836. "scope_type": "intent",
  837. "value": "完播率"
  838. }
  839. ],
  840. "custom_ext": [
  841. {
  842. "key": "业务阶段",
  843. "type": "str",
  844. "value": "选题"
  845. },
  846. {
  847. "key": "业务阶段",
  848. "type": "str",
  849. "value": "脚本"
  850. },
  851. {
  852. "key": "创作阶段",
  853. "type": "str",
  854. "value": "定向"
  855. },
  856. {
  857. "key": "创作阶段",
  858. "type": "str",
  859. "value": "构思"
  860. },
  861. {
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  863. "type": "str",
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  907. {
  908. "scope_type": "form",
  909. "value": "清单"
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  911. {
  912. "scope_type": "effect",
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  940. "title": "Vlog脚本表达方式选项",
  941. "content": "界定:针对不同叙事目的可套用的脚本表达公式。(选项型)\n【分镜头表达公式】(清单)\n - 引起共鸣公式:人物+状态+情感(选用:需要建立观众情感连接,通过共有情绪拉近距离时使用)\n - 引发好奇公式:时间/观点+悬念(选用:用于提升完播率,通过反常识或时间锚点制造钩子时使用)\n - 干货输出公式:情景+怎么做+事件(选用:旨在提供具体价值、教程或经验分享时使用)",
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  957. {
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  962. "scope_type": "intent",
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  969. "type": "str",
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  982. "url": "https://www.xiaohongshu.com/explore/67e4bdf50000000006028a59"
  983. }
  984. },
  985. "title": "视频结构黄金比例框架",
  986. "content": "界定:维持视频叙事节奏感的标准三段式比例结构。(构成型)\n【三段式构成】(分类)\n - 引子 (黄金3秒):通过视觉冲击或独特开场制造噱头,快速抓人眼球\n - 内容主题:核心故事线展开,控制节奏进行论述\n - 结尾:留下印象点,引导观众行动或总结全文",
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  990. "dim_attributes": [
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  992. ],
  993. "scopes": [
  994. {
  995. "scope_type": "form",
  996. "value": "三段式结构"
  997. },
  998. {
  999. "scope_type": "effect",
  1000. "value": "黄金三秒"
  1001. },
  1002. {
  1003. "scope_type": "intent",
  1004. "value": "钩子效应"
  1005. }
  1006. ],
  1007. "custom_ext": [
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  1009. "key": "业务阶段",
  1010. "type": "str",
  1011. "value": "脚本"
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  1014. },
  1015. {
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  1018. "source_type": "post",
  1019. "title": "只要学会这几样,写短视频脚本真的不难❗️",
  1020. "author": "海狸教自媒体运营",
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  1022. "platform": "xiaohongshu",
  1023. "url": "https://www.xiaohongshu.com/explore/67e4bdf50000000006028a59"
  1024. }
  1025. },
  1026. "title": "6种常用视频构图方法",
  1027. "content": "界定:拍摄脚本中可标注的视觉构图排布方式。(选项型)\n【构图法选择清单】(清单)\n - 水平线构图:画面呈水平分布(选用:追求画面稳定感、表现广阔空间时适用)\n - 对角线构图:主体沿对角线分布(选用:增强画面动感、引导视线吸引力时适用)\n - 中心构图:主体位于画面中心(选用:需要极度突出主体对象时适用)\n - 框式构图:利用前景形成框架(选用:制造窥视感、神秘感或增加视觉层级时适用)\n - 九宫格/三分法构图:将主体放在黄金分割点或线上(选用:追求化繁为简、符合视觉舒适度的高级感时适用)",
  1028. "dim_creations": [
  1029. "创作"
  1030. ],
  1031. "dim_attributes": [
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  1033. ],
  1034. "scopes": [
  1035. {
  1036. "scope_type": "substance",
  1037. "value": "视觉构图"
  1038. },
  1039. {
  1040. "scope_type": "feeling",
  1041. "value": "高级感"
  1042. },
  1043. {
  1044. "scope_type": "effect",
  1045. "value": "视觉层级"
  1046. },
  1047. {
  1048. "scope_type": "feeling",
  1049. "value": "窥视感"
  1050. }
  1051. ],
  1052. "custom_ext": [
  1053. {
  1054. "key": "业务阶段",
  1055. "type": "str",
  1056. "value": "脚本"
  1057. }
  1058. ]
  1059. }
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